Issue № 90 Volume 2, 2025 р.
Download the issue as one file
HISTORY
Oleksandr MUZYCHKO
THE PRINCELY TSITSISHVILI FAMILY IN THE HISTORY OF GEORGIA: A PROSOPOGRAPHICAL ANALYSIS
Volodymyr OSTROVYI, Daria OSTROVA
SIGILLUMS OF THE LUTHERANS OF THE PODILLIA GOVERNORATE (SECOND HALF OF THE 19TH – BEGINNING OF THE 20TH CENTURY): BASED ON MATERIALS FROM THE STATE ARCHIVE OF KHMELNYTSKY REGION
Kostiantyn POLOZHAI
COVERAGE OF THE FIRST ANGLO-AFGHAN WAR (1839–1842) IN THE TIMES
Yuriy PRYSIAZHNIUK
“COSSACKS-CHERVONTSI” IN THE UKRAINIAN REVOLUTION OF 1917–1921: AN ATTEMPT AT ARCHETYPAL INTERPRETATION
Tetiana STOIAN
PROBLEMS OF THE RELEVANCE OF THE PEDAGOGICAL HERITAGE OF O. KONISKY AND M. DRAGOMANOV
Nataliia YUKHYMENKO
PEOPLE’S CLOTHES OF KYIV AND CHERNIGIV POLISIA FROM THE STOCK COLLECTION OF THE NATIONAL HISTORICAL AND ETHNOGRAPHIC RESERVE “PEREYASLAV”
ART STUDIES
Zepeng LI, Mykhailo OPALIEV
MEANS OF PARAMETRIC DESIGN OF EUROPEAN PUBLIC METAL ART OBJECTS
Nataliya MAKAROVA
SEMIOTICS OF DUALITY (ON THE EXAMPLE OF A PRELUDE AND FUGUE № 5 IN D-MAJOR BY V. P. ZADERATSKY)
Oksana MASNYK
INNOVATIVE METHODS OF MUSICAL AND AUDITORY DEVELOPMENT OF A POP AND JAZZ VOCALIST (BASED ON THE METHODOLOGY OF BOB STOLOFF)
Stefan NAGIRNIAK
EXPERIENCE OF DIGITIZATION OF DECORATIVE AND APPLIED ARTS IN UKRAINE
Mariia NIKULINA
CAPRICES FOR SOLO VIOLIN BY UKRAINIAN COMPOSERS OF THE 21ST CENTURY IN THE CONTEXT OF GENRE DEVELOPMENT
Stanislav OSTROUS, Diana STRYZHAK
ALTERNATIVE PRINTING TECHNIQUES IN THE PROJECTS OF UKRAINIAN PHOTOGRAPHERS OF THE 2010S
Oleksandr PLAKHOTNUK, Nataliya SIROTYNSKA, Lyudmyla BELINSKA
UKRAINIAN DANCE CULTURE AS A REPRESENTATIVE OF NATIONAL TRADITIONS
Tetiana SAMAYA
JAZZ IN THE MIRROR OF EUROPEAN CLASSICAL MUSIC OF THE 20TH CENTURY: ERNEST ANSERMETʼS VIEWS AND CONTRADICTIONS
Liudmyla SIDOR, Iryna TKACHENKO, Natalia BOICHUK
ART AS A SPECIAL FORM OF SOCIAL CONSCIOUSNESS, THE FOUNDATION OF ARTISTIC CULTURE AND ITS FUNCTIONS
Yevheniia SLASTINA
NATIONAL IDENTITY IN CLASSICAL CHOREOGRAPHY IN CONTEMPORARY UKRAINE
Nataliia STOLIARCHUK, Maksym KUTUZOV, Mykola TSAPIAK
FROM FOLKLORE TO STANDARD: AESTHETIC TRANSFORMATIONS OF BALLROOM CHOREOGRAPHY AND CULTURAL IDENTITY
Anastasia SUPRUN, Liliia ZHURAVEL-ZMIEIEVA
APPLICATION OF STYLISTIC FEATURES OF CRIMEAN TATAR ORNAMENTATION IN CONTEMPORARY GRAPHIC DESIGN
Oleksii TARAN
THE SPECIFICITY OF PERFORMING CANTILENA IN GUITAR PERFORMANCE: A CASE STUDY OF LEO BROUWER’S UN DÍA DE NOVIEMBRE
Tymur FEDOROV
LANDSCAPE PAINTING IN THE WORKS OF KRYVYI RIH ARTISTS OF THE MID. XX – EARLY XXI CENTURIES: MAIN TRENDS AND DEVELOPMENT
Sun HU, Alla RUBANKA
RESEARCH ON THE DESIGN OF EVERYDAY OBJECTS BASED ON REGIONAL DIFFERENCES – THE TRANSFORMATION OF CHINESE TRADITIONAL AGRICULTURAL TOOLS
Liu HONGYU
HISTORICAL ORIGINS AND STAGES OF DEVELOPMENT OF CHINESE VOCAL MUSIC
Volodymyr SHAKIROV
THE IMAGERY OF “MILITARY QUARTETS FOR MALE CHOIRS” BY FILARET KOLESSA
LINGUISTICS. LITERATURE STUDIES
Natalia MALETS, Olena BOYCHUK, Myroslava BABYNETS
THE UKRAINIAN LANGUAGE AS A FACTOR IN THE FORMATION OF BUSINESS ETIQUETTE AMONG STUDENTS OF HIGHER EDUCATION MEDICAL INSTITUTIONS
Natalia MALETS, Vasyl KALIY, Olena BOYCHUK
THE UKRAINIAN LANGUAGE OF MEDICAL TRANSLATION AS A FACTOR IN PATIENT SAFETY AND THE DEVELOPMENT OF SCIENTIFIC TERMINOLOGY
Larysa OLEKSYSHYNA, Yulianna CHIKAL
THE USE OF ARTIFICIAL INTELLIGENCE IN THE TRANSLATION OF MILITARY FICTION
Valeria PYLYPAK
MODERN ANALYTICAL TEXTS IN UKRAINIAN-LANGUAGE CONTENT: GENRE TYPOLOGY
Ihor POMAZAN
VERBALIZATION OF THE FLORA CONCEPTOSPHERE IN LESYA UKRAINKA’S DRAMATIC FAIRY TALE THE FOREST SONG
Oksana SYVYK
THE POTENTIAL OF USING FILMS IN GERMAN LANGUAGE CLASSES
Orest TORSKYI, Nataliia KUNANETS
THE RELEVANCE OF DATA CORPORA WITH THE DEVELOPMENT OF ARTIFICIAL INTELLIGENCE
Roman KHMELNYTSKYI
THE EMOTION CONCEPT JOY: A FRAME SEMANTIC ANALYSIS IN THE ORIGINAL AND UKRAINIAN TRANSLATION (BASED ON THE SCIENCE FICTION NOVEL “DUNE MESSIAH” BY FRANK HERBERT)
Oleksii SHEBUNIAIEV
THE “TURKISN BAZAAR” PHENOMENON AND ITS INFLUENCE ON TURKISH BUSINESS DISCOURCE TRANSLATING
Olha SHCHELKUNOVA
“APOKRISIS” BY KHRYSTOFOR FILALET IN THE CONTEXT OF POLEMICAL AND REFORMATION IDEAS OF THE BAROQUE ERA
Lyudmyla YAKOVENKO, Anna BEZVERKHNA, Olga KONSTANTINOVA
METHODOLOGICAL POTENTIAL OF THE PRESENTATION IN TEACHING POLISH FOR SPECIFIC PURPOSES
PEDAGOGY
Louise KOTLYAROVA
USE OF ROLE-PLAYING AND BUSINESS GAMES IN THE PROCESS OF TEACHING ENGLISH IN NON-LINGUISTIC INSTITUTIONS OF HIGHER EDUCATION
Oksana KUCHERIAVA
DEVELOPMENT OF EMOTIONAL INTELLIGENCE OF STUDENTS IN UKRAINIAN LANGUAGE LESSONS USING ART TECHNOLOGIES
Ivanna NILABOVYCH, Nelya PITRA, Alla TYSCHUK
FORMATION OF STUDENTS' PROFESSIONAL COMPETENCE IN THE PROCESS OF BLENDED LEARNING IN HIGHER EDUCATION INSTITUTIONS
Nataliia OVCHARENKO
FEATURES OF PROFESSIONAL REFLECTION IN CHOREOGRAPHIC ACTIVITY: BODILY-MOTOR ASPECT
Tetiana PANTIUK
EDUCATIONAL COMPONENT OF NATIONAL SECURITY: ESSENCE, TASKS AND PROSPECTS IN THE CONTEXT OF THE RUSSIAN-UKRAINIAN WAR
Anastasiia PTUSHKA
RESULTS OF A PEDAGOGICAL EXPERIMENT ON THE DEVELOPMENT OF FOREIGN LANGUAGE COMMUNICATIVE COMPETENCE OF STUDENTS IN TECHNICAL SPECIALTIES
Ganna RALO
SIGHT-READING ON PERCUSSION INSTRUMENTS: BEFORE STATEMENT OF THE PROBLEM
Olha TRETIAK
RESEARCH ANALYSIS OF THE INTERACTION BETWEEN FAMILY AND SCHOOL IN EDUCATION OF MORAL VALUES
Valentyna FEDORCHUK, Kateryna LUKIANENKO, Anna YELINA
THEORETICAL BASES OF PROFESSIONAL TRAINING FOR FUTURE CHOREOGRAPHERS AT THE UNIVERSITY
Nataliia SHALASHNA
DIDACTIC MODELS OF TEACHING WORLD HISTORY IN HIGHER EDUCATIONAL INSTITUTIONS: COMPARATIVE ANALYSIS AND PRACTICAL GUIDELINES
Volodymyr SHEVCHENKO
ORGANISATION OF SPEECH THERAPY SUPPORT FOR CHILDREN WITH HEARING IMPAIRMENTS