Issue № 93 Volume 2, 2025 р.
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HISTORY
Volodymyr OLESHKEVYCH
MILITARY AND POLITICAL SITUATION IN SOUTHERN UKRAINE AND THE DEFEAT OF N. MAKHNO’S INSURGENT ARMY IN 1919–1920
Mykhailo TYMOSHYK
LEGITIMATION OF POWER THROUGH REWARDS: A HISTORICAL ANALYSIS OF SYMBOLIC CAPITAL AND SOCIAL PROTEST
Mykola TRUBCHANINOV
VOCATIONAL AND TECHNICAL EDUCATION OF PEASANT ENTREPRENEURS AS AN IMPORTANT CONDITION FOR THE MODERNIZATION OF THE HANDICRAFT INDUSTRY OF SLOBODSK, UKRAINE
Taras KHEMYCH
THE RECEPTION OF TIBERIUS’ PRINCIPATE IN THE WORKS OF MYKHAILO DRAGOMANOV: A HISTORIOGRAPHICAL CONTEXT
OksanaYARTYM
ACTIVITIES OF LYUBOV YAKUBOVSKAYA IN DROHOBYCH (1942–1944)
ART STUDIES
Iryna MALININA, Alla MALININA
FRACTAL GRAPHICS AND ANIMATION AS A MEANS OF DEVELOPING CREATIVE THINKING IN MULTIMEDIA DESIGN STUDENTS
Yevgenii MATSAPURA
DIGITAL MODELING OF TATTOO COMPOSITIONS AS A FIELD OF VISUAL DESIGN
Chzhan MIN SHI
GUANNAN’S OPERA “MOURNING FOR THE DEAD”: FEATURES OF GENRE EMBODIMENT
Eva MOROZ
GAMIFICATION IN EDUCATION AND LEARNING PLATFORMS
Viktoriia MULKOKHAINEN, Iulitta HONCHARENKO, Yevgen PAVLENKO
ILLUSTRATION AS A DESIGN PROJECT: CONCEPT, FUNCTIONS, GENRE ADAPTABILITY
Andrii NESTERENKO
THE INFLUENCE OF ENGRAVING ON THE 17TH-CENTURY WALL PAINTING IN THE CHURCH OF SAINT PARASKEVA IN THE VILLAGE OF OLEKSANDRIVKA IN TRANSCARPATHIA
Tetyana OMELCHENKO
INNOVATION OF JULIUSZ ZAREMBSKY (BASED ON THE MATERIAL OF THE PIANO QUINTET, OP. 34)
Oksana PEREPELYTSIA, Larysa MIKHOVA, Raisa KORENYOK
FORMATION OF INDIVIDUALITY IN ARCHITECTURAL GRAPHICS UNDER CONDITIONS OF AUTOMATION
Inna PETROVA, Valeriia PERERVA, Oleksandr HOLIZDRA
TRADITIONAL ORNAMENTS OF UKRAINE AND THE WORLD IN MODERN VISUAL IDENTITY OF BRANDS
Yuliia PINCHUK
COMPARATIVE ANALYSIS OF CAREER STRATEGIES OF OPERA SINGERS IN EUROPEAN AND AMERICAN CULTURAL INSTITUTIONS
Valerii POLONSKYI
ACTUAL PROBLEMS OF ORGANISING THEATRICAL ACTIVITIES IN KHARKIV DURING THE HEATED PHASE OF THE RUSSIAN-UKRAINIAN WAR
Oksana PUSHONKOVA, Ivan BONDAR, Fedir GONTSA
INTERMEDIAL TECHNOLOGIES IN CONTEMPORARY IMAGE-MAKING PRACTICES
Anna RADCHENKO, Lyudmila PETRENKO
SOME ASPECTS OF THE WORK OF A PIANIST-CONCERTMASTER IN A VIOLIN CLASS IN UNIVERSITIES
Iryna RIABCHUN
THE COMPOSER AS AN INDICATOR OF NATIONAL TRAUMA (ON THE EXAMPLE OF ХХTH CENTURY MODERN GREEK MUSIC)
Mykhailo SYDORENKO
THE ENSEMBLE ARTISTRY OF MICHAEL BRECKER
Nataliia SKLIARENKO, Yevheniia NAIDENKO, Olha ROMANIUK
ASPECTS OF DESIGNING A VISUAL COMMUNICATION SYSTEM OF HOUSES FOR ORPHANS: A GAME-BASED APPROACH
Kseniia SLIPCHENKO
THE CONCERTO GENRE IN DOMRA MUSIC FOR CHILDREN
Аnastasia SOLOMYANA, Hanna CHEMERYS
UKRAINIAN MYTHOLOGY IN CONTEMPORARY ART BOOKS: COMPARATIVE ANALYSIS, AUDIENCE DEMANDS AND DESIGN PRINCIPLES
Olesia STEPANOVA
THE ROLE OF THE PIANO IN THE EVOLUTIONARY PROCESS OF THE TRANSFORMATION OF GREEK MUSIC
Nataliia STOLIARCHUK, Vladyslav MYLENKII
AESTHETIC DIMENSIONS OF CULTURAL IDENTITY IN VISUAL COMMUNICATIONS: INTEGRATION OF TRADITIONAL IMAGES AND MODERN TECHNOLOGICAL APPROACHES
Roman TKACHENKO
FORMATION OF THE UNIO OF ARTISTS OF KIROVOHRAD REGION
Angelina TREGUB, Yuliia PALTSEVYCH, Hanna OVCHARENKO
MASS CULTURE AND ITS IMPACT ON SOCIAL LIFE: CINEMA, MUSIC, TELEVISION IN THE 1960S–1990S
Yaryna TURCHYNYAK
MODERN FESTIVE CARD OF MYRON LEVYTSKYI
Vladyslav FED, Viktoriia BASHKIROVA, Oleksandr NESTEROV
AN INTERDISCIPLINARY APPROACH TO THE STUDY OF CLASSICAL AND FOLK-STAGE DANCE IN THE CONTEMPORARY ART SPACE
Daria CHEPRASOVA, Hanna BRIANTSEVA
PAGES OF LIFE: THE VISUAL NARRATIVE IN THE BIOGRAPHICAL ARTBOOK ABOUT VASYL SYMONENKO
Yuliia SHALKEVYCH, Nadiia KUPCHYNSKA
CHORAL SCHOOLS AND POLYPHONIC COMPOSITIONS OF THE LATE RENAISSANCE AS THE BASIS OF THE DEVELOPMENT OF MUSICAL CULTURE
Zakhar SHEVCHUK, Vladyslav KRAVTSOV
SYNTHESIS OF ACADEMIC AND EXPERIMENTAL APPROACHES IN TEACHING DRAWING
Wu YUXUAN
FRANCIS POULENC’S PIANO CONCERTO IN THE CRITICAL RECEPTION OF ITS TIME
Olena YAKYMCHUK
“SONGS OF ELD” FOR VOICE AND CHAMBER ORCHESTRA BY BOHDAN KRYVOPUST: THE POETICS OF THE WORK
LINGUISTICS. LITERATURE STUDIES
Iryna MELNYCHUK, Mariia KONOVALOVA
EPITAPHS OF MEMBERS OF THE LAVRА INTELLECTUAL CIRCLE IN THE “TERATURGIM” BY ATHANASIUS KALNOFOYSKY
Mariia OSTAPENKO
ON THE ISSUE OF JARGON IN MILITARY DISCOURSE (BASED ON THE DMYTRO KRAPYVENKO’S ESSAYS)
Oksana OSMACHKO
THEORETICAL BASIS FOR RESEARCH ON CONCEPTS IN LINGUISTICS
Alla PAVLOVA, Lubov KOPANYTSIA
COMMUNICATIVE STRATEGIES OF SELF-PRESENTATION AND MODELS OF SOCIAL INTERACTION IN THE UKRAINIAN HUMANITARIAN DISCOURSE
Iliana POLISHCHUK
FEATURES OF THE STRUCTURE OF THE CONCEPTUAL SEGMENT OF THE CONCEPT PSYCHOTRAUMA WITHIN ENGLISH-LANGUAGE DISCOURSE
Serhii RYBALKIN
THE MOON AS AN ARCHETYPICAL IMAGE IN SAMAR YAZBEK’S NOVEL WHERE THE WIND CALLS HOME
Oleksandr STASIUK
TRANSFERRING UKRAINIAN TOPONYMS IN SWEDISH MEDIA TEXTS
Maryna TARNAVSKA
ENHANCING TRANSLATION PRECISION THROUGH CORPUS-BASED ANALYSIS
Denys CHYK
“LOCKED PAST”: THE CHEST AS A SPACE OF MEMORY IN VICTORIA AMELINA’S NOVEL A HOME FOR DOM
PEDAGOGY
Liliia MOLHAMOVA, Oleksandra LYMAR
DEVELOPING RESILIENCE IN SCHOOLCHILDREN AS A TOOL FOR SUSTAINABLE COMMUNITY DEVELOPMENT
Vidadi Omer oglu ORUCOV
APPLICATION OF DIGITAL AND INTERACTIVE TEACHING METHODS IN THE TRAINING OF PHYSICS TEACHERS
Khrystyna OSIDACH
METHODS OF DEVELOPING ORAL SPEAKING SKILLS IN ENGLISH CLASSES AMONG FOREIGN STUDENTS AT A TECHNICAL INSTITUTION OF HIGHER EDUCATION
Tetiana PASTERNAK
TEACHING SPEAKING IN MODERN CONDITIONS: CHALLENGES AND SOLUTIONS
Yevgenіia POSTYKINA, Iryna DYMOVA
PROFESSIONAL ENGLISH LANGUAGE TEACHING FOR MEDICAL REHABILITATION STUDENTS IN THE CONTEXT OF MARTIAL LAW IN UKRAINE
Svitlana TRONKO
EMPIRIC CHARACTERISTICS OF THE STATE OF FORMATION OF THE MORAL-PATRIOTIC PERSONALITY OF A CHILD OF SENIOR PRESCHOOL AGE
Olga YURCHENKO, Valentyna BORYSENKO, Yuriy YURCHENKO
FORMING MATHEMATICAL COMPETENCIES IN SECONDARY EDUCATION INSTITUTIONS USING EXAMPLES FROM LIFE EXPERIENCE AS A BASIS FOR PERSONALITY DEVELOPMENT