Issue № 29 Volume 5, 2020 р.
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HISTORY
Liubomyr ANDRUSIV
The rationalistic tendencies in the Ukrainian philosophical thought of the ХІ – early ХVІІ centuries
Svitlana ATAMANSKA (DERKACH)
Socio-demographic prospects in Kyiv region
Halyna BZUNKO
The Ukrainian-Polish struggle over the university issue in 1784–1914 (end of XVIII century – beginning of XX century)
Olena NAUMENKO
Methods of soviet propaganda dissemination within displaced camps in Western Europe (1944–1948)
Svetlana STEPANYUK, Serhii HOLIAKA, Vera TKACHUK, Olha KOLTSOVA, Victoria KOVAL
Life experience and sporting career of the Ukrainian sport legend Larysa Latynina
Vitaliy SHEVCHENKO
Conference of democratic congress in Kharkiv (January 26–27, 1991)
ART STUDIES
Valentyna ANDREEVA
The policy of Ukrainization and the musical-theatrical life of Poltava in the late 20s – early 30s of the 20th century sourse-research aspect
Tetiana ANDRUSYSHYN, Viktoriia POLIUHA
Socio-cultural orientations of women in social estimates of sex
Mariia DEMIANIUK
Festival as a form of cultural and leisure activities in the city of Khmelnytskyi
Violetta DUTCHAK
Synthesis of creative activities types among the Bandurists of the Ukrainian diaspora: traditions and innovation
Olena ZAVERUKHA
The “Farewell, o world” by D. Bocharov choral work’s stylistics: the texture’s dramatic functions
Oksana ZAKHAROVA
Social and artistic function of the ballroom suit
Roman KORSAK, Halyna KOLISNYK, Ivan GODYA
Formation of culture of restaurant service
Anastasia KRAVCHENKO
Performing intermediality: discourse of artistic and technological creativity in the musical art of the XXI century
Kateryna KRASNOSHCHOK
The voice cycle of louis Durey “Three songs of the Basques” on the verses of Jean Cocoto in the context of the early period of the composer creativity
Tаtiana KRULIKOVSKA
Vocal creativity of Mikhail Zavadsky on the way of forming the “Ukrainian school” in the music of the XIX century
Svitlana LISYUK, Yevhen LYSIUK
The problem of stage excitement of student pianists
Liubomyr MARTYNIV, Olha MARTYNIV
Branch of the musical Lysenkо music institute in Drogobych as a factor of the musical life of the Ukrainian community
Oleg MARTSYNKIVSKYI
Young singer and recording studio: pedagogical advice
Lesya MYKULANYNETS
Tetiana Telychko’s oeuvre within the domain of ethnic and cultural evolvement of pianoforte art in Zakarpattia (the late 20th – early 21st centuries)
Ulyana MOLCHKO
Genre features of piano works by Yulius Feldman
Marianna MURASHKO
Visual image of the character in explanatory commercials for the last decade
Maryna PONOMARENKO
M. Ponomarenko’s triptych “Family treasures”: features of the image and artistic-stylistic structure
Irina P’YATNISKAYA-POZDNYAKOVA
To the problem of musical discourse as a multidimensional text space
Violetta RADOMSKA
Textures in architectural polychrome painting as the form-making in the interior environment
Vadym RAKOCHI
Skoryk’s Carpathian concerto: orchestration as a means of the synthesis of the past and present
Iryna SIDOROVA
“Choral studies” course in preparation of the future music art teachers for professional activities
Ninel SIZOVA, Hanna BILOZERSKA, Tetiana BELINSKA, Kateryna KUSHNIR
The opera “To the sounds of a native song” by Hryhorii Davydovskyi and its importance for the choir culture of Vinnitsa
Nataliia STORONSKA
The phenomenon of Yevgeniia Shunevich’s creative figure in the context of Drohobych vocal-pedagogical school activity
Veronika TORMAKHOVA
Creation of styles in non-academic music
Oleh CHUYKO
Artistic interactions between Kyivan Rus and Scandinavia in the middle ages
Olga SHKOLNA, Lilia AMETOVA
Ye. Gapchinska’s informational leaflets created during the quarantine period for the ministry of public health of Ukraine to prevent coronavirus expansion
Mariya YARKO
The ethnic and national identity matrices of Ukrainian academic music: methodology of the issue
Svitlana HAVRYLIUK
Mykola Bilyashivsky – the theoretician of monument preservation and museum activities
Olha KOMENDA, Vitalii OKHMANIUK
Bela Bartok in the light of the universal creative personality theory