Issue № 30 Volume 1, 2020 р.
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HISTORY
Roman KORSAK, Galina KISH, Ivan GODYA
Organization of work of restaurant personnel
ART STUDIES
Aynura ABUSHOVA
Issues of historical-theoretical research of “Chahargah” mugham in Azerbaijani music art
Anna AKRIDINA
The murals of Odessa diocese’s cathedrals
Sugra ALAKBARLİ
Psychological heroes created by time (a study of Azerbaijani prose in 2000s)
Mykhailo ALEKSANDROV
Improvement of the complexity of manufacturing field tunics of the German army during the World War II
Anna ALISHER
The concept of stage in creative work of D. Lider
Tetiana BILAN
Symbolism of fine art in the temporal and spacial dimentions of culture
Liana BILYAKOVYCH, Aleksandra PENCHUK
The interpretation of the costume of the second half of XIX century in women’s clothing design of 1950s – 2010s: images and formal constructive features
Aynur R. GASIMOVA
Features of musical language in the symphonic creativity of composer Nariman Mammadov
Aynur GULIYEVA
The embodiment of Huseyn Javid’s creativity in music
Sevinj GULIYEVA
Issues of research of the main features of traditional music in the piano work of Azerbaijani composers
Gun VEYDI
Psychophysiological peculiarities of the personality of the conductor of the choral collective
Julia DANILCHENKO
The creative way of Ian Clark in the context of the formation of Western European flute art at the turn of the XX–XXI centuries
Anatolii ZHUK
Tradition and innovation in Ukrainian plein air movement
Oksana ZAKHAROVA
Gastic style of soviet official and “intimate” receptions
Victoriya KAPITONOVA
Peculiar properties of teaching activities in higher educational institution of creative orientation
Kseniia KATRICHENKO
The concept of functional comfort in the formation of inclusive design of the educational space of the secondary school
Vadym KOLOSOK
Music in Ukrainian radio theater: specifics, expressive means, periodization, figures of authors
Kostiantyn KREPAK
Symphony of modern Ukrainian composers as a means of creating a model of artistic perception of historical event
Ruslan KUNDYS, Аndriy DUSHNIY
Leading author’s abayan schools of Ukraine as a determining component of the regional instrumental tradition
Tetiana MASKOVYCH, Khrystyna KAZYMYRIV
Genre of the choral acapella psalm in the creativity of Hanna Havrylets
Viktor MYKHALEVYCH
Graphic and content features of caricatures of Odessa artists of the beginning of the XX century
Lesia MIKHIEIEVA
The influence of thematic visual language symbols on the brand
Daria MOSTOVSHCHYKOVA
Traditions of painted hot enamel of Europe and the East of the 18th century in contemporary enamel art of Ukraine
Vusal Farhad NABIEV
King Arthur’s image in the work of Mary Stewart
Nguyễn TÀI HƯNG
To the repertoire problem in the professional training of accordionists in the Vietnam National Academy of Music
Maryna POGREBNYAK
Modern dance and neoclassic dance in the Ukrainian ballet of the XXI century: ways of assimilation and forms of presentation
Irina P’YATNISKAYA-POZDNYAKOVA
Music and speech issues: propaedeutic aspect
Violetta RADOMSKA
Fractal geometry in the structure of murals located in interior spaces (as based on the example of polychrome paintings by Modest Sosenko)
Stepan SALII, Volodymyr SALII
The current stage of development of conducting and choral education and pedagogy
Iryna SEREDIUK
Aspects of explication of the author’s individual semiotic field in a music work
Olena STETSKOVYCH
The works by G. M. T. Sumner (Sting): aspects of artistic individuality expression
Vasyl SUVOROV, Yroslav NAZAR, Borys KOTSYURBA
The importance of creative potential in the education of musicians in the class of bayan-accordion
Veronika TORMAKHOVA
African-American dance funeral music as a cultural phenomenon
Oleh CHUYKO
Cultural relations of the Galicia-Volhynia principality with Balkan countries
Yuriy CHUMAK, Olga SENYK, Аndriy DUSHNIY
Ukrainian private teacher’s seminar of the Basilian Sisters and Drohobych Vasil Barvinsky music college as centers of spiritual formation of Ukrainian youth
Olga SHERBAKOVA, Yuri SHERBAKOV
Largo Lamentoso by Bohgdana Filts in the light of programme tragic and dramatic concept
Svitlana SHCHITOVA, Kateryna KAPITONOVA
Interpretation of A. Bertran’s poetry by M. Ravel in piano suite “Gaspard de la nuit”
REVIEWS