Issue 77 Volume 3

Issue № 77 Volume 3, 2024 р.

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HISTORY

Tetiana LOBACHOVA
FORMATION OF INDIVIDUAL IDENTITIES IN VENICE DURING THE PLAGUE YEARS (1575–1577). PERSONAL STORIES, INCIDENTS, EXAMPLES

Bohdan PASKA, Roksolana-Valentyna YAVORSKA
OKSANA POPOVYCH (1926–2004) IN THE UKRAINIAN DISSIDENT MOVEMENT

Volodymyr FESAN
FEATURES OF USING DIGITAL HISTORY TECHNOLOGIES IN VIRTUAL MUSEUMS OF OUTSTANDING PERSONALITIES AND INNOVATIVE POSSIBILITIES OF AI

Svitlana CHYBYRAK, Liudmyla MIROSHNYCHENKO-HUSAK
MUSEUM WORKSHOP AS A MEANS OF POPULARIZING UKRAINE’S CULTURAL HERITAGE: EXPERIENCE OF THE SCIENTIFIC-EXHIBITION DEPARTMENT OF ETHNOGRAPHY AND FOLK CRAFTS AT THE VOLYN REGIONAL MUSEUM

Nazarii YURCHYSHYN
THE ACTIVITIES OF ZENON KOSSAK IN THE UKRAINIAN NATIONALIST MOVEMENT OF THE 1930 S

ART STUDIES

Anastasiia NOHA
MODERN ETHNO DESIGN IN IDENTITY

Xingchen PAN, Iryna CHUBOTINA
THE HISTORICAL EVOLUTION OF CHINESE ACCESSORIES DESIGN: TECHNIQUES, STYLES AND TRENDS

Roman PETRIV
DETERMINING FACTORS IN THE FORMATION OF THE MAIN STAGES OF VISUAL ARTS (ANALYSIS OF EXTERNAL INFLUENCES)

Ivan PUZENKO, Julia KHALMURADOVA
MOLDING PRINCIPLES OF MANUFACTURING CERAMIC TABLEWARE OF THE TRIPOLI AGE

Olha PUNHINA, Liubov HUSIEVA, Larysa KULINYCH
DRAWING AND PAINTING AS MEANS OF ARTISTIC EXPRESSION IN BOOK GRAPHICS

Mykola PUCHKO-KOLESNYK
CHORAL CREATIVITY OF Y. ISCHENK IN REPRESENTATION OF INDIVIDUAL COMPOSING STYLE (ON THE EXAMPLE OF THE CHORAL CYCLE ON THE M. RYLSKY POEM)

Oksana SOMAK
THE ICON “VIRGIN HODEGETRIA” FROM THE VILLAGE OF POPELI (DROHOBYCH DISTRICT, LVIV REGION). ARGUMENTS FOR DATING

Maosen TANG
VIOLIN CONCERTO IN E-FLAT MAJOR BY JEAN‑MARIE LECLAIR: GENRE AND STYLE FEATURES

Kostyantyn TRIKOZYUK
CONCERTS FOR BALALAIKA WITH THE ORCHESTRA BY K. MYASKOV: ASPECTS OF GENRE STYLISTICS

Iryna TSEPUKH
THE CREATIVITY OF THE COMPOSER OF THE CHERNIGOV REGION LARISA DYAKONENKO IN THE MUSICAL ART OF UKRAINE AT THE END OF THE 20TH – FIRST QUARTER OF THE 21ST CENTURY

Cui JING
FOLK SONGS ARRANGEMENTS FOR VOICE AND PIANO IN VIKTOR KOSENKO’S WORK: MUSICAL-COMPOSITIONAL AND PERFORMANCE-INTERPRETATION ASPECTS

Ni ZHOU
PHILOSOPHICAL AND AESTHETIC COMPONENTS OF PIANO PERFORMANCE IN CHINA

Nataliia CHUPRINA, Vladyslav KHOMENKO, Olena HRYHOREVSKA
PROJECT PRACTICES OF ECODESIGN IN THE DEVELOPMENT OF CLOTHING AND TEXTILE PRODUCTS

Olha SHADRINA-LYCHAK
THE ROLE OF CHAMBONNIÈRES AND HIS STUDENTS IN THE FORMATION OF THE FRENCH HARPSICHORD SCHOOL

Iryna SHESTERENKO
THIRTEEN PIANO SONATAS BY VITALIY KYREYKO: GENRE-DRAMATURGICAL AND STYLISTIC ASPECTS

LINGUISTICS. LITERATURE STUDIES

Roksolana POVOROZNYUK
LINGUOSEMIOTIC ASPECTS OF PHARMACEUTICAL NAMING IN THE BILINGUAL PERSPECTIVE

Ganna POLINA, Larysa EVDOKIMOVA
THE CONCEPT OF UPBRINGING IN THE LIGHT OF BRITISH AND AMERICAN LINGUOCULTURES

Ganna POLINA, Sofia POBIDASH
COMPARATIVE CHARACTERIZATION OF AMERICAN AND BRITISH VARIANTS OF THE ENGLISH LANGUAGE

Anastasiia ROMANCHUK
CULTURAL ROOTEDNESS AS TRANSLATION PROBLEM

Iryna SUDUK
NON-MORPHOLOGICAL WAYS OF CREATING ONE-WORD TERMINOLOGICAL UNITS IN THE SPHERE OF ENERGY EFFICIENCY AND RENEWABLE ENERGY SOURCES

Valeriia TYKHENKO
LINGUOSTYLISTIC PECULIARITIES OF ENGLISH LIMERICKS AND SPECIFICITY OF THEIR REPRODUCTION IN AUTHOR’S TRANSLATION INTO UNKRAINIAN: LEXICO‑SEMANTIC ASPECTS

Oksana TYKHOVSKA, Olga TOVT, Iryna BURA
MORAL AND ETHICAL ISSUES AND MYTHOLOGICAL IMAGES IN THE SCIENCE FICTION NOVEL “DOOMED TO HAPPINESS” BY VALENTYN CHEMERIS

Olena TУKHONENKO, Inna PIDHORODETSKA
PROFESSIONALLY ORIENTED APPROACH TO TEACHING UKRAINIAN AS FOREIGN LANGUAGE

Olha FEDKO
UKRAINIAN BAROQUE TREATISE: PARADIGMATICS OF THE GENRE

Lidiia CHERCHATA, Larysa KOROL
WAYS OF FORMING FOREIGN LANGUAGE LEXICAL COMPETENCE OF STUDENTS OF NON-PHILOLOGICAL SPECIALTIES IN A HIGHER EDUCATION INSTITUTION

PEDAGOGY

Tetiana SAVCHUK, Kateryna KOZYR
PROBLEMS OF TEACHING THE HISTORY OF THE UKRAINIAN COSSACK STATE (1657–1687) IN GENERAL SECONDARY EDUCATION INSTITUTIONS

Nataliia SEMINIKHYNA, Olena LUTSENKO
PEDAGOGICAL COACHING AND TEACHER LEADERSHIP DEVELOPMENT: KEY ASPECTS AND IMPACT ON EDUCATION QUALITY IN UKRAINE

Deng XIYUE
METHODOLOGICAL APPROACHES TO THE FORMATION PROFESSIONAL AND SUBJECTIVE POSITION OF FUTURE MUSICAL ART MASTER’S DEGREE STUDENTS THROUGH PERFORMANCE AND INSTRUMENTAL TRAINING

Olha SNITOVSKA
DEVELOPMENT OF NATIONAL SYSTEMS OF HIGHER PROFESSIONAL EDUCATION IN FOREIGN COUNTRIES: DISCOURSE OF UKRAINIAN COMPARATIVE STUDIES

Kateryna STARODUBTSEVA, Tatiana OSYPOVA
METHODOLOGICAL PRINCIPLES FOR THE DESIGN OF THE PROFESSIONAL DEVELOPMENT OF PRIMARY SCHOOL TEACHERS

Olena STEPANENKO, Halyna LYSAK, Nataliia TONKONOH
FORMATION OF FOREIGN LANGUAGE COMMUNICATIVE COMPETENCE OF HIGHER EDUCATION STUDENTS

Yaroslava FEDORIV, Iryna PIROZHENKO, Mariya FEDORIV
NARRATIVE WRITING FOR EMOTIONAL WELL-BEING: A CASE STUDY INTO ENHANCING STUDENTS’ LANGUAGE SKILLS AND RESILIENCE

Iryna TSEBRIY, Olena KYRYCHENKO
MUSIC AND THEATER EDUCATION IN MINI-THEATERS OF THE EARLY AND CLASSIC MIDDLE AGES

Kateryna TSYMBAL, Sergiy TSYMBAL
INFORMATION AND COMMUNICATION TECHNOLOGIES IN THE PROFESSIONAL TRAINING OF AN INSTRUMENTALIST STUDENT

Nataliia SHVETS, Olexander SHVETS
SPECIFICS OF FORMING THE PROFESSIONAL COMPETENCE OF A FUTURE TRANSLATOR IN TODAY’S CONDITIONS

Oleksandr SHPETNYІ
METHODS OF FORMING THE ART-PROJECT COMPETENCE OF FUTURE GRAPHIC DESIGNERS

Qiutong YUI
METHODS OF FORMING POLYCOMMUNICATIVE COMPETENCE OF HIGHER ART AND PEDAGOGICAL EDUCATION STUDENTS IN THE PROCESS OF CHOIR MASTER TRAINING

Vasyl YAHUPOV, Kseniia YERHIDZEI, Yuliia ROZUMOVSKA
CRITERIA AND INDICATORS OF INFORMATION AND COMMUNICATION COMPETENCE DIAGNOSTICS DEVELOPMENT FOR TACTICAL COMMAND OFFICERS

NOTIFICATION

Mária STRENÁČIKOVÁ, Аndriy DUSHNIY
ZDELÁVANIE UČITEĽOV HUDBY NA PEDAGOGICKÝCH FAKULTÁCH NA SLOVENSKU