Issue 94 Volume 1

Issue № 94 Volume 1, 2025 р.

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HISTORY

Volodymyr BAKALA
PUBLIC AND POLITICAL ACTIVITY OF STEPAN KUZYK IN THE 1920S–1930S IN UKRAINIAN HISTORIOGRAPHY

Roman BOICHYN, Olexandra SVIONTYK
EDUCATION IN UKRAINE DURING THE RUSSIAN-UKRAINIAN WAR (2014–2025): VISIONS OF POLISH RESEARCHERS

Mykhailo ZHURBA, Mykhailo ZHOLOB, Olha PEREPELUK
RELIGIOUS LIFE OF JEWS OF THE SOVIET UKRAINE (20TH YEARS OF THE 20TH CENTURY)

Zahra ISLAMOVA
THE WAQF INSTITUTION IN AZERBAIJAN DURING THE REIGN OF NADER SHAH AFSHAR

Sophia KARAGEZOVA
PARISH BROTHERHOOD AS A LOCAL INSTITUTION: THE CASE OF THE HOLY PROTECTION BROTHERHOOD OF THE VILLAGE OF KRYCHYLSK (1901–1905)

ART STUDIES

Tеtiana KRULIKOVSKA
RECEPTION OF MYKHAILO ZAVADSKY’S WORKS IN THE EUROPEAN CONTEXT OF THE 19TH CENTURY

Zoya ALFOROVA
HISTORIOGRAPHY OF THE CHINESE SPHERE OF CONTEMPORARY ART: SOME ASPECTS OF THE PROBLEM (ARTICLE TWO)

Ludmyla ANDROSHCHUK, Kostiantyn VINOVOI, Kateryna LUKIANENKO
MODEL OF TRAINING A CHOREOGRAPHER IN THE ZVO IN THE CONDITIONS OF INTERDISCIPLINARY INTERACTION: CLASSICAL DANCE, MODERN DANCE, ART OF BALLETMASTER

Liudmyla BARKO
COLORISTIC SOLUTIONS IN THE PAINTING WORKS OF OLEKSII FISHCHENKO OF THE 1970S–1980S

Nataliya BYELIK-ZOLOTARYOVA, Yuriy YANKO, Olena CHUMAK
LEVELS OF INTERACTION BETWEEN THE CONDUCTOR AND CHORUS MASTER IN THE PROCESS OF PREPARING AN OPERA PERFORMANCE

Valeriia BZENKO, Serhii KRYKUNENKO, Serhii LAZANOVSKYI
THEATRE ART AS A MEANS OF SOCIAL THERAPY FOR COMMUNITIES WITH TRAUMA EXPERIENCE

Artur BILYI
VISUALIDENTITY OF FOOTBALL CLUBS AS A BRAND COMMUNICATION TOOL: A COMPARATIVEANALYSIS OF THE EUROPEAN AND UKRAINIAN CONTEXTS

Andrii BOZHENSKYI
MYKOLA LASTOVETSKYI’SVOCAL WORK IN THE CONTEXT OF THE FUNCTIONING OF VOCAL MUSIC IN DROHOBYCH DISTRICT

Iryna BONDARENKO, Bohdan BONDARENKO
DIALOGUE OF MATERIALS: PECULIARITIES OF APPLICATION IN THE DESIGN OF RESIDENTIAL INTERIORS IN THE LOFT STYLE

Ihor BORYS, Svitlana FEVRALOVA, Victoriia (Nika) KHVOROSTENKO
ACTOR IN NONREALISTIC THEATRE: THEORY AND PEDAGOGICAL PRACTICE OF THE EXPERIMENTAL WORKSHOP FOR THEATRICAL RESEARCH (EKMATEDOS)

Victoriia BUHAIOVA
THEATRALISED SHOW-ART PROJECT AS A MODEL OF SYNTHETIC ART SPACE IN THE CONDITIONS OF POST-DRAMATIC AESTHETICS

Andrii VYSOVEN
THE ROLE OF TRANSCRIPTIONS IN THE EVOLUTION OF THE SOLO AND ENSEMBLE REPERTOIRE OF THE TUBA

Oleksandr VILA-BOTSMAN
REFLECTION AS A PROFESSIONAL TOOL OF THE CHORAL CONDUCTOR

Oleksii VOLYK
FORMATION OF INTERPRETIVE SPACE IN CHAMBER ENSEMBLE PERFORMANCE

Oksana HYSA
LUBLIN SCHOOL OF MUSICOLOGY: HISTORY OF FORMATION AND DEVELOPMENT TRENDS

Victoria GIGOLAEVA-YURCHENKO, Vyacheslav BOYKO, Igor SAKHNO
INTERACTION OF CHORUS AND SOLO PARTS THE INTERPRETATIVE DIMENSION IN MYKOLA LYSENKA'S CANTATA “THE THRESHOLDS ARE BREAKING...”

Victoria GIGOLAEVA-YURCHENKO, Olena SMYRNA, Larisa DAVIDOVYCH
FORMATION OF THE PROFESSIONAL REPERTORY OF STUDENT VOCALISTS: BETWEEN TRADITION AND MODERN PERFORMANCE REQUIREMENTS

Viktor HLEBA, Vladyslav POHORILYI
ADAPTIVE REUSE OF INDUSTRIAL FACILITIES: FORMING NEW URBAN HUBS

Mikhaylo HONCHAROV
INTERPRETATIONAL CULTURE OF ORCHESTRA PERFORMERS: PEDAGOGICAL STRATEGIES AND PRACTICAL TOOLS

Natalia DATSYUK, Mykhailo NETRIBYAK, Roman VILHUSHYNSKYI
THE POLYSTYLISTIC STRUCTURE OF THE INTERIOR SPACE OF CHURCHES IN THE TERNOPIL REGION IN THE EARLY TWENTIETH CENTURY

Ivan DONCHENKO
RECONCEPTION OF THE GUITAR SOUND IN THE CREATIVITY OF MARC RIBOT

Maksym ZHDANOV
SEMANTIC AND DRAMATURGICAL FEATURES OF IRYNA ALEKSIYCHUK'S CHORAL CYCLE “SONGS WITHOUT WORDS”

Kateryna ZHUK
GENRE SYSTEM OF THE SONG TRADITION IN THE TRANSITIONAL ETHNOCULTURAL ZONE BETWEEN SLOBOZHANSHCHYNA, THE MIDDLE DNIEPER REGION, AND THE NORTHERN AZOV REGION

Stanislav KALININ
ORGAN AND PIANO AS TWO POLES OF MUSICAL UNIVERSALISM

Liliia KACHURYNETS
INNOVATIVE MODELS OF CHORAL ART: THEORETICAL AND METHODOLOGICAL PRINCIPLES

Yurii KORPANYUK
WOMEN ARTISTS OF THE SHKRIBLIAK-KORPANIUK CREATIVE DYNASTY

Nataliia KOSTENKO, Andrii STRILETS
DOMRA AND BAYAN ENSEMBLE: PERFORMANCE ASPECT (BASED ON THE CREATIVE WORK OF THE ENSEMBLE “RIDNY KRAY”)

Vladyslav KUZMIN, Olena SLITYUK
THE IMPACT OF DESIGN PRACTICES ON THE EFFECTIVENESS OF COMMUNICATION BETWEEN THE USER AND THE WEB RESOURCE

Mariia KUKIL
EUROPEAN TRADITIONS OF THE ARTISTIC DESIGN OF PANTELEIMON KULISH'S “HRAMATKA” (MID-NINETEENTH CENTURY)

Yifeng LIN, Olena GERASYMENKO
EVOLUTION OF THE DESIGN OF CHILDREN’S EDUCATIONAL MATERIALS: MAIN STAGES SINCE THE TWENTIETH CENTURY

Oleksandr LISOVSKYI, Ruslan AHLIULLIN
EVOLUTION OF MUSEUM VISUAL IDENTITY: FROM TRADITIONAL FORMS TO DIGITAL ADAPTABILITY

LINGUISTICS. LITERATURE STUDIES

Olena BYELOZYOROVA
VERBAL TABOO KREBS AND ITS STRATEGIC POTENTIAL IN MODERN GERMAN DISCOURSE

Mariia BILOKOPYTOVA, Anna VOLOBOIEVA
THE PHENOMENON OF LANGUAGE INTERFERENCE IN THE PROCESS OF LEARNING ENGLISH AND GERMAN BY STUDENTS OF NON-PHILOLOGICAL SPECIALTIES

Oleksandr BOIKO
THE THEME OF THE HOLODOMOR IN THE CREATIVE WORKS OF OLENA ZVYCHAINA

Daryna BUTS
ETHNOLINGUISTIC MARKERS IN TURKISH-LANGUAGE GEOGRAPHICAL NAMES

Mariia VAKULYCH
THE CATEGORY OF PERSONALITY IN THE LINGUISTIC LANDSCAPE: WAR CONTEXTS

Olena VARENIKOVA
SHEVCHENKO STUDIES AT THE INTERSECTION FROM THE NON-SOVIET TO THE SOVIET PERIODS

Mariana VOTKANYCH
V. STEFANYK'S NOVELLA “A CHILD'S ADVENTURE’ AND L. DEMIAN'S SHORT STORY ‘BLOODY BREAD”: A COMPARATIVE ASPECT

Natalia GOLUBENKO, Volodymyr ZAPLITNYI
THE TRANSLATOR AND HIS ROLE IN THE MEDIATION PROCESS

Oksana DASKALIUK
THE STUDY OF THE UKRAINIAN LANGUAGE STYLISTICS IN RELATION TO TRANSLATOR'S PROFESSIONAL COMPETENCIES

Anton DUDKA
MOTIVATIONAL SUPPORT FORMULAS IN ENGLISH DIALOGUES IN UKRAINIAN TRANSLATION

Liudmyla ZAIKINA
LANGUAGE STEREOTYPES IN INTERCULTURAL COMMUNICATION OF POSTCOLONIAL SOCIETIES: ANGLOPHONE AND UKRAINIAN PERSPECTIVES

Anastasiia KINASHCHUK
SEMANTICS OF RATIONAL ADJECTIVES IN THE UKRAINIAN, ENGLISH AND GERMAN LANGUAGES

Anton KOZLOV
V. SHEVCHUK “INTO THE DRAGON’S MOUTH” AND KOBO ABE “THOSE WHO INVADED”: A COMPARATIVE MEASUREMENT OF EXISTENTIAL ABSURDITY AND DYSTOPIAN STRUCTURES

Vladyslav KONIEV
FORMS OF RESISTANCE TO COLONIAL SYSTEM AND TOTALITARIAN METHODS IN O. MAK’S NOVELLA “CHUDASII”

PEDAGOGY

Veronica BANYOI
MULTIMODAL APPROACH TO TEACHING THE SYNTAX OF COMPLEX SENTENCES IN HIGHER EDUCATION INSTITUTIONS

Valeriy BULATOV
SCIENTIFIC FORECASTING OF THE DEVELOPMENT OF PROFESSIONAL COMPETENCES OF FUTURE TEACHERS IN RELATION TO THE APPLICATION OF INCLUSIVE DESIGN IN EDUCATION

Lesia HONCHARENKO
LEGAL CULTURE AS A COMPONENT OF PROFESSIONAL TRAINING OF FUTURE LEGAL SPECIALISTS IN THE EU COUNTRIES

Iryna KARPAN, Olena ROHOVA
А PEDAGOGICAL INDIFFERENCE IN THE SCHOOL ENVIRONMENT: CAUSES, RISKS AND WAYS OF OVERCOMING

Lesia KONOPLIANYK
THE IMPACT OF DIGITAL TOOLS ON DEVELOPING UNDERGRADUATE STUDENTS’ DIGITAL COMPETENCE IN PROFESSIONAL ENGLISH LEARNING

Svitlana KORIESHKOVA, Nataliia KOROTKA, Tetiana SYRBU
PEDAGOGICAL POTENTIAL OF SIMULATORS IN THE TRAINING OF SHIP NAVIGATORS FOR FOREIGN-LANGUAGE PROFESSIONAL ACTIVITY IN HIGHER EDUCATION

Tetiana KRAVCHYNA
EXPERIMENTAL TESTING OF THE EFFECTIVENESS OF THE SYSTEM FOR FORMING PEDAGOGICAL REFLECTION OF FUTURE SOCIONOMIC SPECIALISTS IN THE PROCESS OF FOREIGN LANGUAGE TRAINING

Oksana KRUHLYK
INNOVATIVE TECHNOLOGY OF TEACHING CHILDREN WITH HEARING IMPAIRMENTS AS A PEDAGOGICAL CONDITION FOR THE DEVELOPMENT OF INTERPERSONAL RELATIONSHIPS

Zhiguo LIU
PEDAGOGICAL CONDITIONS AND METHODS OF PREPARING FUTURE ARTS EDUCATORS FOR VOCAL-PEDAGOGICAL SELF-DEVELOPMENT

Lesia MAKARENKO
RESOURCE MECHANISMS FOR THE PRESERVATION AND RESTORATION OF THE INDIVIDUAL'S PSYCHOLOGICAL HEALTH IN WAR CONDITIONS

Lyudmila NESTERENKO, Iryna USHAKOVA, Alona KOVALENKO
PSYCHOLOGICAL TRAINING SESSION ELEMENTS IMPLEMENTATION IN THE ESP INSTRUCTION AT THE NATIONAL UNIVERSITY OF “KYIV-MOHYLA ACADEMY”

Oleksandr NOVIKOV
A SYSTEMIC APPROACH TO FORMING READINESS FOR PROFESSIONAL ACTIVITY IN THE FIELD OF OCCUPATIONAL SAFETY OF FUTURE VOCATIONAL TEACHERS